Sans Superellipse Asmot 10 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, interfaces, wayfinding, packaging, editorial display, minimal, clean, technical, calm, modern, clarity, system design, modernity, space saving, neutral voice, rounded corners, geometric, open counters, airy, modular.
A slender, monoline sans with a compact set width and generous internal space. Curves are built from rounded-rectangle geometry, producing soft corners and smooth, even arcs rather than fully circular bowls. Strokes maintain consistent thickness throughout, with clean terminals and minimal modulation; verticals and horizontals feel carefully aligned, giving the design a measured rhythm. Uppercase forms are tall and straightforward, while lowercase maintains a simple, single‑storey construction and open apertures that keep shapes legible despite the light build.
Well suited to UI labels, navigation, dashboards, and other interface contexts where a slim, unobtrusive voice is desirable. It can also work for modern packaging and signage systems that benefit from a neat, rounded-geometric aesthetic, and for short editorial display lines where a light, refined texture is appropriate.
The overall tone is restrained and contemporary, with a crisp, engineered feel softened by rounded geometry. It reads as quiet and orderly—more utilitarian than expressive—suggesting clarity, efficiency, and a modern, tech-adjacent sensibility.
The design appears intended to deliver a streamlined, contemporary sans optimized for clarity at small-to-medium sizes while maintaining a distinctive rounded-rectangle character. Its consistent stroke logic and controlled proportions suggest a focus on systematized typography for modern digital and product environments.
The rounded-rectangular DNA is especially apparent in the O/Q/0 family and in numerals with squared-off turns, creating a cohesive, modular look across letters and figures. The light stroke weight and narrow proportions make spacing and line breaks feel airy in text, while the uniform stroke system keeps the color even across longer samples.