Sans Other Elme 3 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'Galvani' by Hoftype, 'Frederik' by The Northern Block, and 'Gordita' by Type Atelier (names referenced only for comparison).
Keywords: posters, headlines, sports branding, gaming, event promo, sporty, futuristic, assertive, energetic, industrial, display impact, motion cueing, brand distinctiveness, tech styling, slanted, stencil-cut, notched, angular, compact.
A heavy, slanted sans with broad proportions and a graphic, cut-through construction. Many glyphs feature deliberate horizontal “slices” and wedge-like notches that interrupt stems and bowls, creating a stencil-adjacent, segmented look without losing overall solidity. Curves are rounded but tightened and paired with sharp terminals and angled joins, producing a crisp, engineered rhythm. The lowercase shows a sturdy, compact build with a slightly mechanical flow, while the numerals echo the same split-bar motif for strong stylistic consistency.
Best suited for short, high-impact settings such as posters, headline typography, sports identities, esports/gaming graphics, and event promotions where the sliced motif can function as a recognizable brand element. It also works well for logos, badges, and merchandise applications that benefit from a dynamic, industrial voice.
The tone is fast, aggressive, and modern, with a distinct motorsport/tech energy. The sliced details read like motion, scanning lines, or industrial cutouts, giving the face a punchy, action-oriented personality that feels designed to grab attention.
The design appears intended to merge a bold, slanted sans foundation with a distinctive segmented/cut motif to suggest motion and modernity. Its goal is likely strong display impact and instant recognizability through repeated horizontal slicing and angular notching across the character set.
The signature midline cut appears across both straight and curved forms (notably in rounded letters and some figures), acting as a unifying visual device and reinforcing a sense of speed. Because the interior cuts create busy counters at smaller sizes, the design reads most confidently when given room to display its graphic interruptions.