Print Gedok 12 is a bold, narrow, monoline, upright, normal x-height font.
Keywords: posters, packaging, children’s, headlines, stickers, playful, quirky, friendly, casual, handmade, informality, approachability, handmade feel, display impact, rounded, chunky, bouncy, wonky, soft corners.
A compact, heavy handwritten print with thick, mostly even strokes and softly rounded terminals. Letterforms are slightly irregular and gently tilted off-axis from glyph to glyph, creating a bouncy rhythm without breaking overall legibility. Counters are small and rounded, with simplified, chunky shapes (notably in curved letters and numerals) and occasional asymmetry that reads as intentionally hand-drawn. Spacing feels moderately tight and the overall texture is dense and dark, especially in longer text lines.
Best suited to short-to-medium display settings where a friendly, handmade voice is desired—such as posters, product packaging, labels, stickers, classroom materials, and children’s-oriented graphics. It can work for pull quotes or social graphics, but the dense texture and small counters make it most comfortable at larger sizes rather than long body copy.
The tone is upbeat and informal, with a whimsical, crafty feel that suggests hand-cut or marker-drawn signage. Its unevenness adds personality and approachability, making it feel more conversational than polished or corporate.
The design appears intended to deliver a bold, approachable handwritten print that feels crafted and lively while staying readable. Its simplified forms and consistent weight emphasize personality and warmth, aiming for an expressive display texture rather than typographic precision.
Uppercase forms are sturdy and compact, while lowercase keeps a simple printed construction with single-storey forms and rounded bowls. Numerals match the same chunky, hand-rendered logic, with soft curves and slightly inconsistent widths that reinforce the handmade character. The font maintains a consistent stroke weight across glyphs, relying on shape quirks and proportions—rather than contrast—for expression.