Sans Superellipse Jebi 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bulltoad' by Typodermic and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, athletic, arcade, assertive, compact, impact, modernize, energize, logo-ready, industrial feel, rounded corners, blocky, squared, stencil-like, chip-cut.
A heavy, block-built sans with squared proportions softened by rounded corners and superelliptical curves. Strokes stay consistently thick, with tight internal counters and short apertures that create dense, compact silhouettes. Many joins and terminals are cut with diagonal facets, adding a chiseled, engineered rhythm; round letters tend to read as rounded rectangles rather than circles. The lowercase follows the same chunky logic, with sturdy stems and simplified bowls, and the numerals match the squared, high-impact construction for a cohesive set.
Best used for headlines, logos, and display typography where its mass and geometric character can carry. It works well for sports identities, arcade or tech-themed graphics, packaging, and bold editorial callouts. In text blocks, it will be more effective for short bursts—captions, labels, or punchy statements—than for long reading.
The overall tone is bold and utilitarian with a sporty, game-like punch. Its rounded-rectangle geometry feels modern and mechanical, while the angled cuts add urgency and toughness. The result reads confident and slightly retro-tech, suited to attention-grabbing, high-energy messaging.
The design appears intended to deliver maximum impact through compact, rounded-rectangular forms and consistent heavy strokes, while the diagonal cuts introduce motion and a crafted, industrial feel. The consistent geometry across letters and figures suggests a focus on cohesive, logo-friendly shapes that remain distinctive at large sizes.
Because counters and apertures are relatively tight, the texture can become quite dark in longer passages, especially at smaller sizes. The faceted terminals give the face a distinctive ‘machined’ signature that stands out in short words and big settings.