Sans Faceted Myri 2 is a bold, wide, medium contrast, upright, normal x-height font.
Keywords: logotypes, posters, headlines, game ui, tech branding, futuristic, industrial, aggressive, techno, game-like, high impact, sci-fi styling, industrial feel, geometric systematization, angular, faceted, geometric, chiseled, stencil-like.
A sharply faceted, geometric sans with planar cuts replacing curves and consistently chamfered corners throughout. Strokes are heavy and mostly uniform, with internal counters formed as angular apertures and small rectangular cut-ins that create a machined, stencil-like rhythm. Capitals are blocky and compact with straight-sided bowls, while lowercase forms echo the same polygonal construction, producing a cohesive, engineered texture in words. Figures are similarly angular and high-impact, with octagonal and notched shapes that emphasize the font’s hard-edged construction.
Best suited for display typography such as logos, titles, posters, packaging, and screen graphics where a sharp, mechanical voice is desired. It can work well for short UI labels and headings in games or sci-fi themed interfaces, especially when set with generous tracking and ample size to preserve the angular details.
The overall tone feels futuristic and industrial, with an assertive, weaponized edge reminiscent of sci-fi interfaces and arcade or game branding. Its faceting and cutaway details convey speed, machinery, and a slightly aggressive energy, giving text a bold, poster-like presence even at moderate sizes.
The design appears intended to translate a carved, polygonal construction into a modern sans, prioritizing impact and a distinctive faceted motif over neutral text legibility. Its consistent chamfers and notch system suggest a deliberate effort to evoke machined lettering and futuristic signage.
Distinctive triangular notches and clipped terminals create strong patterning across lines, but they also reduce openness in some counters, which can make dense paragraphs feel busy. The design’s signature is most evident in large display settings where the facets and cut-ins read as intentional detailing rather than visual noise.