Stencil Efjo 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, packaging, signage, logos, industrial, utilitarian, tactical, mechanical, stencil display, industrial voice, signage clarity, branding impact, systematic design, rounded, geometric, high-contrast, chunky, modular.
A rounded geometric sans with consistent stroke thickness and prominent stencil breaks that create clean bridges through bowls and counters. The forms feel modular and engineered, with softened terminals and generous curves balanced by straight, vertical stems. Spacing appears open and even, and the cutouts are placed consistently across letters and figures, producing a rhythmic, segmented texture in text. Numerals and capitals read bold and sturdy, while lowercase maintains simple, functional shapes with minimal detailing.
Best suited to headlines, posters, and branding where the stencil segmentation can be a defining visual feature. It also fits packaging, labels, and wayfinding-style signage that benefits from a durable, industrial voice. In longer passages, it works most comfortably at larger sizes where the interior breaks remain clear and intentional.
The overall tone is industrial and workmanlike, evoking labeling, equipment markings, and practical signage. The stencil gaps add a technical, tactical character that feels rugged and no-nonsense while the rounded geometry keeps it approachable rather than harsh.
The design appears intended to deliver a robust, easily recognizable stencil aesthetic with rounded, contemporary geometry. Its consistent stroke and disciplined cut placements suggest a focus on repeatable, production-like forms that read as functional and industrial while remaining visually friendly.
The stencil bridges are large enough to stay distinct at display sizes, creating a distinctive pattern within counters (notably in rounded letters and figures). Diagonal letters and the zig-zag shapes (like W and M) emphasize an engineered, fabricated feel, and the punctuation-like cuts in several glyphs give the face a consistent, systematized visual logic.