Print Fysu 3 is a very bold, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, album covers, packaging, logos, rugged, expressive, playful, gritty, handmade, handmade feel, high impact, casual tone, dynamic motion, brushy, textured, irregular, chunky, angular.
A chunky, brush-drawn italic print with heavily irregular stroke edges and dense, ink-like fills. Letterforms lean forward with a lively, uneven rhythm, mixing rounded counters with angular turns and occasional wedge-like terminals. Strokes appear pressure-driven and slightly lumpy, producing inconsistent joins and widths that read as intentionally handmade rather than mechanically uniform. Counters are often small and pinched, giving the alphabet a compact, bold silhouette with strong texture at text sizes.
Best suited to display work where texture and personality are desired—posters, headlines, album artwork, event flyers, packaging, and bold logo wordmarks. It can also work for short pull quotes or labels, where its handmade irregularity adds energy without requiring sustained reading.
The font conveys a rough, energetic personality—more street-poster and garage-band than polished editorial. Its slanted, chunky shapes feel spontaneous and human, adding attitude and motion while remaining legible in short bursts. The overall tone is informal and attention-grabbing, with a gritty charm that suggests marker, brush, or thick ink on paper.
The design appears intended to mimic quick, confident hand lettering made with a thick brush or marker, prioritizing expressive texture and impact over uniform precision. Its italic slant and chunky forms aim to create momentum and a strong, graphic presence in branding and promotional typography.
Spacing and shapes vary noticeably from glyph to glyph, which adds character but can create a slightly bouncy baseline and uneven color in longer passages. Numerals follow the same rugged construction, with simplified, blocky forms that keep the set visually cohesive. The texture is prominent enough that it becomes part of the design language, especially in large display settings.