Wacky Gubig 2 is a very bold, very narrow, medium contrast, upright, short x-height font.
Keywords: posters, headlines, logotypes, album covers, game titles, gothic, medieval, occult, rugged, dramatic, atmosphere, thematic display, impact, quirk, texture, blackletter, angular, spiky, chiseled, pointed terminals.
A condensed blackletter-inspired display face with heavy, blocky stems and sharply faceted joins. Forms are built from straight segments and abrupt angles, with pointed caps, notched corners, and wedge-like terminals that create a chiseled, cut-from-metal silhouette. Counters are small and vertical, and the overall rhythm is tight and vertical, with occasional asymmetric details (notably in diagonals and bowls) that add an irregular, hand-cut feel. Numerals and lowercase maintain the same narrow, upright structure, with distinctive hooked descenders and compact interior spaces that read as dense at text sizes.
Best suited to short, high-impact settings such as poster headlines, title treatments, album/merch graphics, game or fantasy branding, and logo wordmarks where its angular blackletter voice can be appreciated at larger sizes. It can also work for themed packaging or event materials when a dark, medieval tone is desired.
The font projects a medieval, gothic mood with a slightly mischievous, off-kilter edge. Its sharp facets and heavy darkness evoke folklore, occult ephemera, metal aesthetics, and old-world signage, giving it a forceful, theatrical presence rather than a refined historical revival.
The design appears intended to deliver a compact, high-contrast blackletter flavor with extra geometric cuts and quirky detailing for novelty impact. It prioritizes silhouette, texture, and atmosphere—creating an assertive gothic impression that feels custom-cut rather than traditionally penned.
Distinctive letter identities come from abrupt spur-like protrusions and clipped terminals, which strengthen character at large sizes but can reduce clarity in long passages. The texture is consistently dark and vertical, with minimal rounding and a deliberate roughness that keeps it from feeling formal or calligraphically smooth.