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Wacky Fedet 3 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, album covers, playful, quirky, retro, whimsical, eccentric, visual novelty, retro flair, decorative display, distinctive branding, inline, rounded, monoline, geometric, modular.


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A decorative inline display face built from rounded, monoline outer strokes with a consistent inner channel that creates a double-line/outlined effect. Letterforms lean geometric with squared curves, soft corners, and frequent use of slab-like feet and capped terminals that read as built-up, modular components rather than pen-made strokes. Curves are simplified and somewhat rectilinear, with occasional exaggerated joins, asymmetric details, and idiosyncratic constructions (notably in diagonals and the treatment of bowls), producing an intentionally irregular rhythm. Spacing appears generous in the sample text, helping the intricate inline structure stay legible at larger sizes.

Best suited to headlines and short display settings where the inline detailing and unconventional shapes can be appreciated—posters, event graphics, album art, packaging, and distinctive logotypes. It works especially well when a project needs a playful, retro-leaning novelty voice rather than a neutral typographic one.

The overall tone is playful and offbeat, with a retro-futurist, sign-painter-meets-experimental feel. Its odd constructions and consistent inline detailing give it a whimsical, puzzle-like personality that reads more as characterful display lettering than utilitarian text.

The font appears designed to prioritize personality through a consistent inline motif and deliberately unconventional letter constructions. The aim seems to be a cohesive, decorative system that feels handcrafted and experimental while remaining structured enough for bold, high-impact display use.

The inline channel adds visual texture and a sense of dimensionality without true shading, while the blocky terminals and occasional wedge-like diagonals create lively, unexpected silhouettes. Because the inner line competes with counters, the design benefits from ample size and breathing room, where its quirky details become a feature rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸