Sans Superellipse Udmiz 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'CF Blast Gothic' by Fonts.GR, 'Enamela' by K-Type, 'Brainy Variable Sans' by Maculinc, 'Hyperspace Race' by Swell Type, and 'Refuel' by Typodermic (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, packaging, sporty, dynamic, punchy, confident, modern, impact, speed, branding, legibility, modernity, rounded, compact, slanted, blocky, soft corners.
A compact, heavy sans with a pronounced forward slant and rounded-rectangle construction throughout. Strokes are uniformly thick with softened corners and squared-off curves, giving letters a sturdy, engineered feel rather than calligraphic modulation. Counters are tight and often squarish, apertures tend to be small, and the overall rhythm is dense, with wide joins and sturdy terminals that keep forms cohesive at display sizes. Numerals follow the same superelliptical logic, with broad, stable silhouettes and minimal interior space.
Best suited for short, high-impact text such as sports identities, team marks, event posters, promotional headlines, and bold packaging callouts. It can also work for apparel graphics and social banners where a compact, fast-moving wordshape is desirable, while extended reading benefits from larger sizes and careful spacing.
The font reads energetic and assertive, with a speed-and-impact tone that feels at home in competitive, high-intensity contexts. Its rounded corners temper the aggression, adding a friendly, contemporary edge while maintaining a strong, emphatic voice.
The design appears intended to deliver a modern, speed-forward display voice built from rounded rectangular forms, balancing toughness with approachability. Its heavy, compact structure prioritizes instant recognition and strong silhouette over delicate detail, aiming for reliable impact in branding and promotional typography.
The forward slant and compact proportions create a strong directional flow across words, emphasizing motion. In longer lines, the dense color and tight counters can increase visual weight, making it most effective when given generous tracking or used at larger sizes.