Sans Other Budub 1 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, titles, art deco, theatrical, modernist, playful, editorial, decorative twist, deco revival, high impact, distinct texture, logo-ready, stencil cuts, geometric, high-contrast moments, tall caps, sculptural.
A stylized sans with a distinctly sculpted, stencil-like construction. Many forms are built from bold vertical stems and geometric bowls that are interrupted by narrow internal cuts, creating a segmented look in counters and joins. Capitals tend to be tall and narrow with simplified terminals, while curves are clean and circular, often paired with abrupt, rectilinear strokes. Lowercase shows a mix of compact, rounded letters and straight-stemmed forms, with occasional unconventional details (such as split bowls and notched joins) that emphasize the font’s constructed, display-first rhythm. Numerals echo the same interrupted geometry, with several figures featuring central splits or dramatic cuts.
This font is best suited to display settings where its cut-in counters and geometric silhouettes can be appreciated—posters, headlines, title treatments, branding marks, and packaging. It works especially well when set with generous spacing and at sizes large enough for the internal splits to remain clear.
The overall tone feels Art Deco–influenced and stagey, combining sleek geometry with eye-catching interruptions that read as both retro and experimental. The segmented counters add a sense of motion and drama, giving text a bold, poster-like presence even at moderate sizes.
The design appears intended to reinterpret a clean, geometric sans through a decorative, stencil-driven system of cuts, producing a memorable, period-tinged look. Its letterforms prioritize visual identity and rhythm over neutrality, aiming for immediate recognition in short, prominent text.
The design relies on repeated verticals and consistent cut motifs to tie together otherwise varied letter structures, producing a distinctive texture across words. The most characteristic feature is the recurring internal split that turns bowls and rounds into paired shapes, which can become a strong visual pattern in continuous text.