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Free for Commercial Use

Stencil Orru 8 is a regular weight, normal width, high contrast, upright, short x-height font.

Keywords: headlines, posters, packaging, branding, magazine titles, editorial, dramatic, classic, authoritative, theatrical, stencil display, editorial impact, premium tone, crafted texture, didone-like, bracketless, hairline, stencil bridged, vertical stress.


Free for commercial use
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A high-contrast serif with crisp, vertical proportions and sharp, wedge-like serifs, rendered with consistent stencil breaks that create clean bridges through stems and bowls. Thick verticals pair with very thin hairlines, producing a bold light/dark rhythm and a distinctly engraved look. The joins are largely unbracketed, counters are compact and strongly shaped, and many curves show deliberate cut-ins where the stencil gaps interrupt the stroke. Numerals and capitals feel sturdy and formal, while the lowercase keeps a compact, text-oriented silhouette with pronounced contrasts and small interior apertures.

Well suited to headlines, cover lines, and poster typography where contrast and stencil detail can read clearly. It also fits branding and packaging that want a premium, classical voice with a distinctive cut-out texture, and works for short editorial titles or pull quotes where a strong typographic personality is desired.

The overall tone is formal and dramatic, mixing classic editorial elegance with an industrial, sign-painting edge from the stencil construction. It reads as assertive and slightly theatrical—more boutique and statement-driven than utilitarian—suggesting prestige with a crafted, cut-out feel.

The design appears intended to merge a refined, modern serif sensibility with overt stencil engineering, giving a recognizable display texture while maintaining traditional letterform structure. The goal seems to be high-impact typography that signals sophistication, but with a constructed, fabricated twist.

Stencil interruptions are prominent but carefully placed to preserve letter recognition, especially in rounded forms like O/Q and in diagonals such as V/W/X. The design’s contrast and fine hairlines make it most visually impactful at display sizes, where the bridges become a defining texture rather than a distraction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸