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Free for Commercial Use

Solid Pope 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, merchandise, playful, chunky, retro, toy-like, sticker-like, max impact, playful display, silhouette-driven, retro flavor, blobby, rounded, notched, geometric, blocky.


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A heavy, solid display face built from chunky geometric masses with rounded outer curves and frequent angular cut-ins. Counters are largely collapsed, so many letters read as filled silhouettes with small notches, bites, and stepped terminals providing differentiation. Curves lean toward circular bowls, while joins and corners are often chamfered or clipped, creating a sawed-off, cut-paper rhythm. The overall texture is dense and dark, with simplified interiors, a tall lowercase presence, and numerals that echo the same blunt, sculpted construction.

Best suited to large-scale display settings where its solid silhouettes and cut-in details can be appreciated—posters, event headers, product packaging, logo wordmarks, and bold social graphics. It works especially well when you want maximal visual weight and a playful, novelty-forward voice rather than long-form readability.

The font projects a bold, playful energy—somewhere between retro cartoon titling and punchy sticker lettering. Its notched shapes and filled forms give it a mischievous, toy-like tone that feels attention-grabbing and informal rather than refined or technical.

The design appears intended to create maximum impact through filled, simplified letterforms, using notches and clipped geometry to maintain letter distinction while keeping a dense, graphic presence. It prioritizes bold silhouette and personality over open counters and conventional text clarity.

Because many counters are closed, character recognition relies on the distinctive notches and silhouette differences; at smaller sizes the shapes may merge into compact blobs, while at large sizes the quirky cut-ins become a key stylistic feature. The sample text shows a very dark color on the page with tight internal rhythm and strong word-shape impact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸