Sans Normal Verol 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type; 'Core Sans A', 'Core Sans AR', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Artico Soft' by cretype; and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: ui text, editorial, branding, advertising, presentations, clean, modern, friendly, casual, crisp, versatility, readability, approachability, motion, rounded, oblique, humanist, open counters, monoline.
This font is an oblique sans with smooth, rounded geometry and largely monoline strokes. Letterforms favor open apertures and generous, circular counters (notably in C, G, O, and e), with soft terminals that keep the texture even and legible. Proportions feel balanced and contemporary, with a steady rhythm across capitals and a slightly lively lowercase driven by the slant and rounded joins. Numerals follow the same simple, curved construction for consistent color in mixed text.
It suits interface copy, product messaging, and general-purpose editorial settings where a clean sans voice is needed with a bit more warmth than a strictly geometric style. The steady texture and open counters also make it a solid choice for presentations, captions, and short-to-medium paragraphs, as well as contemporary branding and marketing headlines.
The overall tone is modern and approachable, pairing a clean sans structure with a relaxed, forward-leaning cadence. Its rounded forms and open shapes read as friendly rather than technical, making it feel conversational and easygoing while still staying neat and controlled.
The design appears intended as a versatile, everyday sans with an inherent oblique posture, aiming to combine neutral usability with a friendly, rounded finish. Its consistent stroke behavior and simple, open construction suggest a focus on clarity and modern readability while adding a subtle sense of speed and informality.
The oblique angle is consistent across the alphabet and figures, giving lines of text a subtle sense of motion without becoming calligraphic. Curves are emphasized over sharp corners, and the design maintains an even typographic color with minimal visual noise.