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Free for Commercial Use

Blackletter Opdu 2 is a very bold, narrow, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, album covers, tattoos, gothic, heraldic, medieval, dramatic, ornate, display impact, historic tone, brand marking, ornamentation, intensity, angular, beveled, chiseled, spiky, blackletter.


Free for commercial use
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This typeface features dense, vertical blackletter forms with strongly faceted strokes and sharp, chiseled terminals. Letter construction relies on straight segments and abrupt angles, creating a crisp, architectural rhythm with minimal curvature. Counters are small and often diamond- or slit-like, while joins and mid-stroke notches emphasize a carved, metallic feel. Capitals are compact and blocky with pointed crowns and pronounced inner cut-ins; lowercase follows a consistent, rigid texture with tight apertures and distinctly separated stems.

This font is best suited to short, high-impact settings such as posters, headlines, branding marks, and title treatments where its dense texture can be appreciated. It can also work well for event or product identities that benefit from a historical, ceremonial, or heavy-metal-adjacent aesthetic, while longer passages may require generous size and spacing for readability.

The overall tone is authoritative and ceremonial, evoking tradition, creed, and old-world craft. Its spiked silhouettes and heavy darkness convey intensity and gravity, reading as formal and uncompromising rather than casual or friendly.

The design appears intended to deliver a bold, tradition-rooted blackletter voice with a carved, geometric sharpness. By prioritizing angular construction and dense color, it aims to create immediate visual authority and a distinctive, emblematic presence in display use.

Numerals and punctuation adopt the same faceted, monoline-like black massing, helping the set stay visually cohesive in display contexts. In text, the strong vertical cadence creates a continuous dark band, with differentiation coming from internal cuts and angular terminals rather than open counters.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸