Inline Fihi 1 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, packaging, futuristic, techno, arcade, industrial, sci-fi, impact, sci-fi feel, digital styling, dimensionality, signage look, geometric, angular, monolinear, outlined, inlaid.
A heavy, geometric display face built from squared forms and sharp angles, with corners that read mostly hard and engineered rather than rounded. Each glyph is constructed from a thick outer silhouette that contains a consistent internal channel, creating an inlaid, track-like line that follows the stroke path and emphasizes the letter geometry. Counters tend toward rectangles and squared bowls (notably in O, D, P, Q), while diagonals in letters like A, K, V, W, X, Y are rendered as faceted, mechanical joins. The rhythm is compact and blocky with clear, modular proportions; numerals follow the same rectilinear logic, keeping a strong, uniform presence across the set.
Best suited for short, high-impact settings such as posters, headlines, logos, and branding where a futuristic or industrial voice is desired. It also works well for game titles, UI headings, and packaging callouts that benefit from a bold, technical aesthetic. For longer passages, larger sizes and generous spacing will help preserve the inline detail.
The overall tone is assertive and high-tech, evoking arcade interfaces, sci‑fi titling, and industrial labeling. The inline cut gives it a schematic, circuitry feel, adding visual motion and depth without relying on contrast. It reads as bold and engineered—more “machine panel” than “handmade.”
The design appears intended to deliver maximum visual impact through a blocky, modular construction, while the internal channel adds a sense of dimensionality and motion reminiscent of neon tubing or engraved signage. Its consistent geometric logic suggests it was drawn to feel systematized and machine-made, optimized for attention-grabbing display typography.
The inlaid line is consistently centered within the strokes, which helps keep texture even across runs of text, while the stepped joins and squared terminals create a distinctly digital silhouette. At smaller sizes the internal channel may visually fill in, so the design’s character is most evident at display scales.