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Free for Commercial Use

Script Buguv 1 is a light, very narrow, very high contrast, upright, very short x-height font.

Keywords: logotypes, headlines, invitations, packaging, editorial, elegant, fashion, delicate, poetic, refined, luxury appeal, display impact, signature feel, ornamentation, branding, didone-like, hairline, calligraphic, swashy, high-waisted.


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A stylized script with razor-thin hairlines and dramatic thick–thin modulation, mixing calligraphic strokes with occasional upright, almost display-serif-like structures in the capitals. Letterforms are tall and willowy, with long ascenders/descenders, tight internal counters, and a rhythmic alternation between straight stems and rounded bowls. Connections are selective rather than continuously joined, creating an airy texture with frequent entry/exit strokes, tapered terminals, and looped details (notably in many lowercase forms and some numerals). Numerals follow the same contrast-driven logic, pairing sturdy verticals with fine curves and occasional swash-like tails.

Best suited to short, prominent settings such as logos, mastheads, cover lines, invitations, and premium product packaging where the fine hairlines can be preserved. It pairs well with restrained layouts and generous tracking/leading, and works effectively as an accent face alongside a quiet serif or sans for longer copy.

The overall tone is luxurious and editorial, evoking boutique branding, beauty packaging, and formal stationery. Its thin strokes and ornamental loops read as graceful and expressive, with a slightly theatrical flair that feels designed for headline moments rather than utilitarian text.

The font appears designed to deliver a couture-like, high-contrast script voice that combines the sophistication of fashion display lettering with handwritten flourish. Its intent is to create distinctive word-shapes and memorable titles through tall proportions, looping terminals, and a polished, minimal-ink elegance.

The design leans on extreme contrast and slender joins, so its sparkle comes from negative space and hairline finesse. Capital shapes are especially display-oriented, with pronounced vertical emphasis and simplified crossbars that keep the silhouette clean while preserving a handwritten feel through tapered strokes and subtle irregularity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸