Sans Superellipse Dyka 3 is a regular weight, wide, medium contrast, italic, normal x-height font visually similar to 'EF Serpentine Serif' by Elsner+Flake (names referenced only for comparison).
Keywords: tech branding, sportswear, automotive, headlines, ui display, futuristic, technical, sporty, streamlined, modern, speed emphasis, tech modernity, geometric system, display clarity, rounded corners, oblique slant, squared curves, geometric, compact apertures.
A slanted sans with a geometric, superelliptical construction: curves resolve into rounded-rectangle shapes and corners are softly radiused rather than fully circular. Strokes are clean and fairly uniform with subtle modulation from the oblique angle, and terminals are crisp with minimal flare. Counters tend toward squarish ovals, apertures are relatively tight, and the overall rhythm feels engineered and forward-leaning. Figures echo the same rounded-rect geometry, producing a cohesive, system-like texture across letters and numerals.
Well-suited to tech and product branding, automotive or motorsport themes, and sports or athleisure graphics where an italicized, streamlined voice is desirable. It works best at display sizes for headlines, packaging, posters, and interface labels where its rounded-square geometry and tight apertures remain clear.
The design reads as contemporary and performance-minded, with a sleek, aerodynamic tone that suggests speed and efficiency. Its rounded-square curves add a friendly softness while keeping an unmistakably technical, UI/industrial character.
This font appears designed to fuse geometric clarity with an energetic oblique posture, using superelliptical forms to create a distinctive, modern system of shapes. The intention seems to be a sleek, engineered sans that signals speed and contemporary technology while staying approachable through rounded corners.
The oblique slant is consistent across uppercase, lowercase, and numerals, and the shapes maintain a disciplined, modular feel that favors stability over expressiveness. The squarish bowls in letters like O/Q and the rounded-rectangle treatment of numerals reinforce a cohesive “device” aesthetic.