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Free for Commercial Use

Sans Superellipse Lomor 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Albireo' and 'Albireo Soft' by Cory Maylett Design, 'Geogrotesque Condensed Series' by Emtype Foundry, 'Cairoli Now' by Italiantype, and 'Entropia' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, condensed, industrial, modern, punchy, utilitarian, space saving, high impact, signage clarity, modern branding, rounded corners, pill terminals, compact, tall proportions, soft geometry.


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A tall, tightly set sans with rounded-rectangle construction and softly radiused corners throughout. Strokes are sturdy and even, with minimal modulation and a compact, condensed footprint that creates strong vertical rhythm. Counters tend toward narrow ovals and rounded slots, and many terminals finish as blunt, pill-like ends rather than sharp cuts. The lowercase maintains clear, simple forms (single-storey a and g), while numerals follow the same condensed, rounded geometry for consistent texture in text and display.

Best suited to headlines and short bursts of text where a condensed, high-impact voice is needed, such as posters, branding lockups, packaging, and wayfinding or storefront signage. It can also work for subheads and labels when a compact line length and strong, uniform texture are desirable.

The overall tone feels modern and functional, combining an industrial, signage-like directness with a friendly softness from the rounded corners. Its compressed proportions read assertive and efficient, giving headlines a confident, streamlined presence without feeling harsh.

The design appears intended to deliver maximum presence in minimal horizontal space, using rounded-rectangle geometry to keep the tone approachable while staying clean and contemporary. Its consistent stroke behavior and compact forms suggest an emphasis on clarity, repeatable rhythm, and strong graphic silhouette.

The glyph set shown emphasizes verticality and compact spacing potential, producing a dense, even typographic color. Rounded joins and terminals help maintain legibility at larger sizes while reinforcing a cohesive, geometric voice across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸