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Free for Commercial Use

Inverted Abfi 3 is a very bold, normal width, high contrast, upright, tall x-height font.

Keywords: headlines, posters, logos, gaming ui, packaging, tech, industrial, arcade, modular, posterish, impact, retro tech, systematic, reversed styling, square, blocky, stencil-like, cutout, angular.


Free for commercial use
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A heavy, square-structured display face built from modular, rectilinear strokes with rounded corners and deliberate interior cutouts. Letterforms sit on a consistent grid, with broad, flat terminals and frequent inline gaps that create a hollowed, reversed-figure effect. Curves (as in C, G, O, S) are simplified into squared bowls with softened radii, while diagonals appear sparingly and read as sturdy wedges in letters like K, V, W, X, and Y. The lowercase is compact and geometric with a tall x-height and minimal contrast in stroke direction, and numerals follow the same boxy, segmented logic for a cohesive alphanumeric set.

Best suited to short-form, high-impact settings such as headlines, event posters, game titles/UI, and logo wordmarks where the cutout structure can be appreciated at larger sizes. It also fits packaging or label-style graphics that benefit from a bold, industrial grid aesthetic.

The overall tone feels technical and engineered, with a retro-digital flavor reminiscent of arcade, sci‑fi UI, and industrial labeling. The cutout interiors add a punchy, high-impact rhythm that reads assertive and attention-grabbing while still feeling systematic and constructed.

The design appears intended to deliver a compact, modular display voice that leverages negative-space cutouts for distinctive recognition and strong contrast in reversed applications. Its consistent geometric system suggests it was drawn to look engineered and screen-native rather than calligraphic or text-oriented.

Many characters emphasize enclosed counters and rectangular apertures, producing strong figure/ground interplay that becomes especially prominent when set in blocks or reversed color treatments. Spacing in the samples appears intentionally tight and modular, reinforcing a tiled, signage-like texture in words and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸