Cursive Jeret 12 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: logos, signatures, invitations, packaging, social media, elegant, airy, personal, romantic, refined, signature feel, expressive display, luxury tone, handwritten realism, monoline, looping, calligraphic, swashy, tall ascenders.
A delicate, slanted handwritten script with a clean, single-stroke feel and subtle contrast from pen pressure. Letterforms are tall and narrow with generous ascenders and descenders, while the lowercase stays relatively small, producing a pronounced ascender-driven silhouette. Strokes flow with long entry and exit terminals, frequent loops, and occasional extended crossbars, giving the line a continuous, gliding rhythm even where characters are not fully connected. Spacing is compact and irregular in a natural way, with narrow counters and occasional flourish strokes that reach into neighboring space.
This font suits logo marks, personal branding, and signature-style wordmarks where an elegant handwritten voice is desired. It works well for invitations, beauty/fashion packaging, quotes, and short headlines or pull-cards in editorial layouts. Because the stroke is very fine and the lowercase is small, it is best reserved for larger sizes and lighter text densities rather than long body copy.
The overall tone is graceful and intimate, like a quick but careful signature. Its thin strokes and elongated forms read as refined and romantic, with a fashion-forward, editorial sheen rather than casual marker energy.
The design appears intended to capture the spontaneity of cursive handwriting while maintaining a polished, high-end look through consistent slant, narrow proportions, and controlled swash behavior. Its emphasis on tall strokes and flowing terminals suggests a focus on expressive display use rather than utilitarian text setting.
Capitals lean toward signature-style construction with prominent swashes (notably in forms like B, D, Q, R, and Y), and several letters use simplified, handwritten structures that prioritize flow over strict typographic symmetry. Numerals follow the same slender, angled gesture and look best when given breathing room rather than set tightly in dense tables.