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Free for Commercial Use

Solid Emga 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fraiche' by Adam Fathony, 'Knicknack' by Great Scott, and 'Morl' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, chunky, bouncy, retro, kid-friendly, maximum impact, whimsy, friendly branding, novelty display, rounded, blobby, soft corners, cartoonish, bulbous.


Free for commercial use
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A heavy, rounded display face built from blobby silhouettes and soft, inflated terminals. Forms are mostly monoline in feel, with minimal visible contrast and an overall sculpted, pillowy edge treatment. Counters are small and in several letters become pinched or nearly closed, creating dense black shapes with occasional teardrop-like openings. Proportions are compact and slightly quirky, with uneven internal spacing and subtly irregular curves that give the alphabet a hand-molded rhythm rather than a strictly geometric one.

Well-suited for headlines, playful branding, packaging, and short logo wordmarks where a bold, friendly presence is desired. It also fits posters, social graphics, kids’ products, snacks and sweets, novelty signage, and any application that benefits from a chunky, cartoon-like voice.

The overall tone is cheerful and comedic, with a bubbly “rubber stamp” or “soft plastic” personality. Its tight counters and chunky massing read as friendly and loud, leaning toward whimsical, kid-oriented, and retro-cartoon energy rather than refined editorial sophistication.

The design appears intended to maximize impact through solid, rounded silhouettes and tightly controlled counters, trading fine detail for a punchy, approachable display look. Its slightly irregular curves and compressed internal spaces suggest an aim for character and humor over strict legibility in long text.

The type holds together best at medium-to-large sizes where its silhouette and quirky negative spaces can be appreciated; at small sizes the tight counters and dense joins may reduce clarity. Numerals match the same rounded, chunky construction, with especially full, closed-looking bowls in 8 and 9.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸