Sans Other Remip 12 is a bold, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, logos, labels, industrial, condensed, retro, authoritative, mechanical, space saving, impact, industrial tone, signage look, angular, chiseled, square counters, ink-trap feel, tall proportions.
A tightly condensed display sans with tall, rigid proportions and a strongly vertical rhythm. Strokes are mostly straight and rectangular, with sparing curvature and frequent chamfered or notched terminals that create a subtly “cut” silhouette. Counters tend toward squared shapes (notably in O/0-like forms), and several joins suggest ink-trap-like corner reductions, giving the letters a machined, stencil-adjacent clarity without actual breaks. The lowercase keeps a compact, utilitarian build with narrow bowls and a single-storey a, while numerals follow the same elongated, angular construction for consistent texture in sequences.
Best suited to headlines, posters, and titling where a compact footprint and strong vertical presence are useful. It can work well for signage-style graphics, product labels, and logo wordmarks that benefit from an engineered, angular look. For longer passages, its tight construction and dense texture suggest using it at larger sizes with ample leading.
The overall tone feels industrial and engineered—more like signage and machinery labeling than editorial text. Its narrow, high-impact texture reads assertive and a bit retro, evoking early 20th-century utilitarian lettering and condensed poster titling. The sharp corners and clipped terminals add a disciplined, no-nonsense voice.
The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a crisp, fabricated feel. Its squared counters and chamfered terminals suggest a deliberate industrial aesthetic aimed at display applications rather than neutral text setting.
The condensed spacing and uniform vertical emphasis create a strong columnar color, especially in all caps. Diacritics and punctuation aren’t shown, but the sample demonstrates that mixed-case text retains the same angular, constructed character, with distinctive pointed or beveled details on terminals and descenders.