Sans Superellipse Upli 2 is a bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Helonik Extended' by Ckhans Fonts, 'Fluro' by Kazer Studio, 'RF Dewi' by Russian Fonts, 'Nuber Next' by The Northern Block, and 'Makro' by Tokotype (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, confident, friendly, modern, chunky, sporty, impact, approachability, modernity, clarity, display, rounded, compact, soft corners, geometric, high impact.
A heavy, wide sans with superelliptical construction: round letters resolve into squared, softly rounded counters and terminals rather than perfect circles. Strokes are thick and steady with clean joins and minimal modulation, producing a dense, uniform color in text. Curves are broad and controlled (notably in C/O/S), while straight-sided forms keep a slightly boxy silhouette; terminals tend to finish bluntly with rounded corners. Lowercase shapes are sturdy and compact, with simple, open apertures and a single-storey “a,” and the numerals follow the same rounded-rectangle logic for consistent rhythm.
Best suited to display settings where impact and clarity matter: branding, packaging, posters, signage, and large UI or marketing headlines. It can work for short blocks of text when set with generous leading and careful tracking, but its dense color and wide proportions make it strongest as a statement face.
The overall tone is bold and approachable—more friendly than formal—combining a contemporary, geometric feel with soft-cornered warmth. Its wide stance and chunky detailing convey confidence and energy, with an understated tech-and-sport sensibility.
The design appears aimed at delivering maximum presence with a soft, contemporary geometry—pairing bold, wide proportions with rounded-rectangular forms to feel modern, legible, and friendly at display sizes.
In long lines the weight and width create strong presence and tight texture, making spacing feel deliberately packed and headline-forward. Round forms stay stable and squared-off, giving the face a distinctive “cushioned” geometry that remains consistent across caps, lowercase, and figures.