Outline Ohsi 2 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, signage, packaging, retro, techy, neon, playful, display, futuristic display, neon styling, tech branding, graphic impact, monoline, rounded corners, inline detail, geometric, single-storey.
A monoline outline design with squared, rounded-corner geometry and a consistent stroke contour. Many glyphs incorporate a second, inset line or segmented inner path that creates a layered, circuit-like interior detail while keeping the outer silhouette clean and blocky. Curves are constructed from radiused rectangles rather than true circles, and joins stay crisp and engineered. Proportions read as compact and sturdy, with open counters and simplified forms (including single-storey a and g) that keep the rhythm even across the set.
Best suited to headlines and short display copy where the outline construction and inset detailing can be appreciated. It works well for logos, event posters, game/tech branding, and signage where a neon/schematic feel supports the message. For longer text, it’s most effective at larger sizes with ample tracking and contrast against the background.
The overall tone feels retro-futurist and technical, like signage made from bent tubing or a neon outline rendered in a schematic style. The internal linework adds a playful, synthetic complexity that reads as electronic, arcade, and slightly industrial. It projects energy and clarity more than elegance, making it feel intentionally graphic and attention-seeking.
The font appears designed to deliver a bold, futuristic outline look with added inner-line character—combining a clean geometric silhouette with a secondary contour that suggests wiring, glow tubes, or technical diagramming. The consistent construction across caps, lowercase, and numerals points to a cohesive display family meant for graphic identity and titling.
Because it’s outline-based with interior detailing, the design benefits from generous point sizes and clean reproduction; small sizes or low-resolution contexts may cause the inset lines to visually merge. Numerals echo the same rounded-rect construction, giving sequences a consistent, display-forward texture.