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Free for Commercial Use

Print Iskip 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Lyu Lin' by Stefan Stoychev, 'Aristotelica Pro' by Zetafonts, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, quirky, friendly, cartoonish, bubbly, playful display, hand-drawn warmth, bold impact, friendly tone, chunky, rounded, blobby, soft edges, irregular.


Free for commercial use
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A chunky, rounded display face with blobby stroke edges and softly squared counters that feel hand-drawn rather than mechanically perfect. The strokes are heavy and largely uniform, with subtle wobble and pressure-like bulges that create a lively rhythm across words. Forms lean toward compact, upright silhouettes with simplified geometry—wide bowls, short joins, and minimal interior detail—while spacing remains open enough to keep the dense weight readable at larger sizes.

Best suited to posters, bold headlines, and short callouts where its heavy, rounded forms can read clearly and deliver personality. It also fits playful packaging, children’s materials, event flyers, stickers, and social graphics that benefit from a friendly, hand-made look.

The overall tone is lighthearted and humorous, with a casual, doodled confidence that reads as approachable and kid-friendly. Its imperfect edges and puffy shapes give it a cozy, homemade energy that feels more like marker lettering than formal typography.

The design appears intended to provide an informal, hand-drawn display voice with maximum visual impact and warmth. Its simplified shapes and soft, imperfect outlines prioritize character and approachability over precision, aiming for quick readability at large sizes and a distinctly playful presence.

Caps and lowercase share the same chunky construction, helping headings feel cohesive even with mixed case. Numerals match the soft, rounded styling and maintain strong color on the page, though the heavy weight and irregular edges make it feel most at home in short bursts rather than long paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸