Sans Superellipse Ogmov 9 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Isotonic' by Emtype Foundry, 'EFCO Fairley' by Ephemera Fonts, and 'Aspire Narrow' and 'Mercurial' by Grype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, techy, rugged, utilitarian, assertive, impact, modernity, durability, geometric consistency, display emphasis, rounded corners, squared forms, condensed caps, sturdy, blocky.
A heavy, squared sans built from rounded-rectangle forms and softened corners. Strokes are consistently thick with minimal contrast, producing a compact, high-impact texture. Curves resolve into superelliptical bowls and counters, while joints and terminals stay blunt and engineered. Uppercase shapes read slightly condensed and boxy; lowercase features a tall x-height with simplified, sturdy construction. Figures follow the same squared, rounded logic, with broad shoulders and tight interior counters that keep the set visually cohesive.
Best suited to short, high-impact settings such as headlines, posters, labels, packaging, and brand marks where its dense weight and rounded-square forms can anchor a layout. It can also work for signage and UI display elements when a robust, engineered tone is desired, especially at medium to large sizes.
The overall tone is functional and forceful, with a modern, industrial character. Its rounded-square geometry gives it a tech-forward, machined feel while remaining friendly enough to avoid harshness. The dense color and compact shapes convey confidence and durability rather than delicacy.
The design appears intended to deliver a sturdy display voice built on rounded-rectangular geometry, balancing strict, engineered structure with softened corners for approachability. It prioritizes impact and consistency across the alphabet, aiming for a contemporary industrial or tech branding feel.
Spacing appears intentionally tight, reinforcing a solid headline rhythm; at smaller sizes the narrow counters in letters like e, a, and s may fill in visually. The design maintains strong consistency across straight-sided and rounded glyphs, emphasizing a modular, constructed aesthetic.