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Free for Commercial Use

Stencil Esfu 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'DIN 2014' by ParaType, 'PF DIN Text' by Parachute, and 'Aago' by Positype (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, military, utility, punchy, retro, stencil marking, impact display, industrial voice, space saving, high-contrast, condensed, blocky, geometric, hard-edged.


Free for commercial use
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A condensed, heavy display face built from monoline strokes and hard-edged geometry. The letterforms are constructed with clear stencil breaks and narrow internal counters, producing strong vertical emphasis and a compact rhythm. Curves are simplified into near-circular bowls with straight-sided joins, while diagonals and terminals stay crisp and squared. Spacing and shapes read tightly and consistently, with the stencil bridges becoming a defining structural motif across caps, lowercase, and numerals.

Well suited for posters, bold headlines, and short bursts of text where a tough stencil voice is desired. It can work effectively for signage, packaging, and branding marks that want an industrial or military-coded presence, and for themed graphics where strong, compact letterforms are an advantage.

The overall tone is utilitarian and industrial, evoking labeling, equipment marking, and no-nonsense signage. The repeated breaks introduce a rugged, engineered feel that can also read as vintage or militaristic depending on context. Its dense, forceful color makes it feel assertive and attention-seeking in headlines.

The design appears intended to deliver a compact, high-impact stencil aesthetic that stays legible at display sizes while projecting a functional, engineered character. The consistent bridges and simplified geometry suggest a focus on reproducible, cut-out forms and a distinctive, repeatable texture.

The stencil interruptions are relatively narrow but frequent, so small sizes may lose clarity as the breaks and tight counters begin to fill in. The condensed proportions help long words stay compact, but they also amplify the bold texture, making it best used with ample whitespace or restrained supporting typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸