Wacky Itry 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, logos, game titles, album covers, horror themes, jagged, chaotic, primitive, menacing, playful, shock value, hand-cut feel, edgy display, thematic flavor, attention grab, angular, spiky, shardlike, asymmetric, hand-cut.
A sharply angular, shard-like display face with irregular geometry and a hand-cut silhouette. Strokes taper into points and wedges, with frequent triangular counters and abrupt direction changes that create a fractured rhythm. Proportions vary noticeably from glyph to glyph, producing an intentionally uneven texture; many forms feel constructed from slashes and arrowhead terminals rather than smooth curves. The lowercase echoes the uppercase with similarly broken shapes, while figures are stylized into pointed, emblem-like forms that read more as symbols than neutral numerals.
Best suited for short, high-impact settings such as posters, title cards, logos/wordmarks, packaging accents, and entertainment branding—especially where an aggressive or eccentric tone is desired (games, metal/punk music, Halloween or horror-themed materials). It works well as a headline or display layer paired with a simpler text face for body copy.
The font conveys a wild, edgy energy—part carved-glyph, part comic menace. Its spiky contours and unpredictable spacing suggest danger, mischief, and a DIY punk attitude, making text feel animated and slightly abrasive rather than calm or refined.
The design appears intended to mimic improvised, cut-out lettering—built from spikes, wedges, and angular strokes to create a distinctive, one-off personality. It prioritizes expressive texture and dramatic silhouettes over neutrality, aiming to make even common pangrams feel intense and stylized.
In the sample text, the jagged outlines and varying widths create a highly textured word shape that draws attention but can become visually dense in longer passages. The most successful reading happens at larger sizes where the triangular counters and sharp terminals remain distinct, and the irregular rhythm reads as intentional character rather than noise.