Sans Superellipse Ongom 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bega' by Indian Type Foundry, 'Metronic Pro' by Mostardesign, 'Foros' by ParaType, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: branding, packaging, headlines, posters, ui labels, friendly, modern, chunky, techy, playful, impact, approachability, modernity, geometric coherence, brand distinctiveness, rounded corners, soft geometry, blocky, compact, high contrast (shape).
This typeface is built from soft, squared-off geometry with generously rounded corners and largely even stroke weight. Curves tend to resolve into superellipse-like rectangles, giving counters and bowls a cushioned, boxy feel rather than a purely circular one. Terminals are clean and blunt, joins are sturdy, and overall spacing reads compact, producing a dense, solid text color. Uppercase forms are broad and stable, while lowercase shows simplified, constructed shapes that stay consistent with the rounded-rectangle logic.
Well-suited to brand marks, packaging, and headline typography where a bold, friendly geometric voice is desired. It can also work effectively for interface labels, navigation, and wayfinding-style applications thanks to its sturdy shapes and clean terminals, especially at medium-to-large sizes where the softened corners and constructed forms are most legible.
The overall tone is contemporary and approachable, combining a robust, blocky presence with softened edges. It feels confident and utilitarian without becoming harsh, and the rounded geometry adds a mildly playful, product-design sensibility. The result suggests a friendly tech or modern retail voice—clear, sturdy, and informal-leaning.
The design appears intended to deliver a contemporary sans with a distinctive rounded-rectangle construction—prioritizing impact, clarity, and a recognizable silhouette. It emphasizes a cohesive geometric system across letters and numerals to create a strong, modern identity in both short text and display use.
Distinctive superellipse-driven rounds make letters like C, O, and S feel more rectangular than typical grotesks, which reinforces the constructed, modular rhythm across words. The numerals share the same softened, squared structure, maintaining a consistent silhouette for UI-like settings and short bursts of display text.