Print Solat 11 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, children’s, stickers, playful, friendly, chunky, casual, whimsical, approachability, playfulness, informality, bold impact, rounded, soft terminals, bouncy, hand-drawn, cartoonish.
A heavy, rounded handwritten print with softly swollen strokes and gently irregular outlines that keep the texture human without looking messy. Curves dominate, corners are blunted, and terminals are mostly bulbous or softly tapered, producing a plush silhouette. Counters are compact but open enough to read well at display sizes, and the rhythm feels slightly bouncy from letter to letter. Lowercase forms are simple and approachable, with single-storey shapes and prominent dots on i/j; the numerals match the same rounded, weighty construction.
Best suited to display applications where a bold, friendly voice is needed: headlines, posters, children’s materials, playful packaging, and casual branding. It also works well for short bursts of text such as labels, social graphics, and invitations, where its rounded forms and hand-drawn feel can carry the message without relying on fine detail.
The overall tone is upbeat and friendly, with a kidlike, cartoon-leaning warmth. Its chunky softness reads as welcoming and lighthearted rather than formal or technical, making it feel conversational and approachable. The slight hand-drawn inconsistency adds charm and informality.
The design appears intended to deliver a bold, hand-drawn print look that feels informal and welcoming, combining consistent construction with just enough irregularity to keep it lively. Its emphasis on rounded massing and simplified letterforms suggests a focus on immediate readability and a cheerful, characterful presence in display settings.
The glyph set shows a consistent weight and a cohesive rounded construction across caps, lowercase, and figures, with noticeable ink-blob style joins in multi-stem letters (notably m/n) and a robust, graphic presence. Spacing appears comfortable for headlines and short copy, while the dense shapes suggest avoiding very small sizes where counters may begin to close up.