Slab Square Omva 9 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Kievit Slab', 'FF Milo Slab', 'FF Tisa', and 'FF Tisa Paneuropean' by FontFont; 'Alkes' by Fontfabric; and 'Rooney' by Jan Fromm (names referenced only for comparison).
Keywords: editorial, body text, book design, headlines, branding, dependable, scholarly, vintage, readability, authority, print flavor, durability, bracketed, sturdy, crisp, low stress, ball terminals.
A sturdy slab-serif with clearly bracketed serifs and mostly squared, flat-ended terminals that give the letterforms a grounded, architectural feel. Strokes are fairly even with moderate contrast, and the curves (C, O, S) stay smooth and open rather than overly condensed. The design shows conventional proportions and a readable, bookish rhythm, with compact, squared-off serifs on caps and strong slab feet on lowercase. Notable details include a two-storey a and g, a small ear on g, and a ball terminal on the lowercase f; figures appear lining with firm verticals and simple, readable shapes.
Well-suited to editorial settings such as magazines, newspapers, and book typography where a robust serif texture is desired. It can handle headings and subheads effectively thanks to its firm slabs and clear silhouettes, while remaining comfortable for longer reading in text sizes. The dependable, traditional voice also makes it a good fit for institutional branding and packaging that benefits from a solid, heritage-leaning presence.
The overall tone reads practical and authoritative, leaning toward traditional print and newspaper typography rather than decorative display. Its slab structure and square finishing convey stability and straightforwardness, while the moderate contrast and bracketed joins add a slightly classic, literary character.
The design appears intended to deliver a classic slab-serif reading experience: strong, stable forms with clear serifs for a confident typographic color in print-like compositions. Its controlled contrast and conventional construction suggest an emphasis on readability and timeless utility over eccentricity.
The uppercase set feels sturdy and formal, while the lowercase maintains clarity through generous counters and restrained stroke modulation. Spacing in the sample text appears even and calm, supporting long lines without looking cramped.