Sans Faceted Idkok 2 is a very light, narrow, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, headlines, posters, logos, packaging, futuristic, technical, angular, minimal, sci‑fi, modernize, systematize, futurism, precision, tech tone, geometric, faceted, wireframe, modular, outlined.
A crisp, single-stroke display face built from straight segments and sharp corners, with curved forms consistently replaced by planar facets. The design is tall and compact with restrained counters and a clean, linear rhythm, and many glyphs resolve to pointed terminals or squared ends. Round letters like O/Q and numerals are drawn as multi-sided polygons, giving the alphabet a coherent engineered feel across caps, lowercase, and figures.
Best suited for short to medium-length settings where its angular construction can be appreciated: headlines, titling, logotypes, and tech-themed branding. It also works well for interface labels, signage, and diagrams where consistent spacing and clear, constructed forms complement a systematic layout. For extended reading, it benefits from generous size and leading to preserve legibility.
The overall tone feels futuristic and technical, like labeling on instruments, schematics, or digital interfaces. Its sharp, faceted geometry reads as precise and controlled, with a slightly retro-computer or arcade signage flavor. The light outline-like stroke contributes to an airy, high-tech impression rather than warmth or softness.
The font appears designed to translate a geometric, faceted construction into a clean sans voice, prioritizing consistency and a modular system over organic curves. Its disciplined straight-line drawing and polygonal rounds suggest an intention to evoke digital/industrial contexts while remaining simple enough for practical display use.
Diagonal joins are used sparingly and purposefully, so letters like S, G, and 2 read as constructed from a limited set of angles. The lowercase maintains a similarly geometric vocabulary (single-storey a and g), and punctuation is minimal and unobtrusive, keeping attention on the linear structure. The uniform spacing and consistent stroke behavior support a grid-based, modular aesthetic.