Sans Superellipse Abgaj 12 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co.; 'Eurostile LT', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype; 'Eastlane' by Stawix; and 'Eurostile' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, dashboards, modern, clean, friendly, neutral, tech, clarity, systematic design, modern utility, approachability, rounded, geometric, superelliptical, sturdy, compact.
A crisp geometric sans with rounded-rectangle (superellipse) bowls and consistently smooth curve transitions. Strokes keep an even, monoline feel, with squared terminals softened by subtle rounding, creating a sturdy, engineered silhouette. Proportions are compact and efficient: counters are clear but not overly open, and joins stay tight and controlled. Uppercase forms read structured and stable, while lowercase maintains a simple, utilitarian construction with straightforward stems, rounded shoulders, and minimal modulation.
Well suited to interface typography, product surfaces, and information design where a clean, stable texture is needed. Its compact geometry and rounded-square forms also work for contemporary branding, wayfinding, and headings that aim to feel modern without becoming overly sharp or cold.
The overall tone is contemporary and practical, balancing a technical, systemlike neatness with approachable rounded shapes. It feels calm and dependable rather than expressive, suggesting clarity and order with a mild friendliness.
The design appears aimed at delivering a highly legible, modern sans with a distinctive superelliptical geometry—prioritizing consistency, clarity, and a systematic visual rhythm across letters and numerals.
Round characters like C, G, O, and Q lean toward squarish rounds, producing a distinctive rhythm compared to purely circular geometrics. Diagonals in letters such as K, V, W, X, and Y are clean and decisive, and the figures appear designed to align visually with the alphabet’s compact, squared-curve logic.