Script Rasa 3 is a regular weight, narrow, very high contrast, upright, very short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, whimsical, romantic, airy, vintage, flourished elegance, handwritten charm, display emphasis, decorative branding, swashy, calligraphic, looped, delicate, bouncy.
A calligraphic script with a lively, handwritten rhythm and pronounced thick–thin modulation. Strokes show tapered entry/exit terminals, hairline connections, and occasional heavier downstrokes that create a crisp, inked look. Letterforms are relatively narrow with tall ascenders/descenders and a notably small x-height, giving the lowercase a petite, delicate stance beneath prominent capitals. The set includes frequent loops and swashes (especially in capitals and letters like g, y, and z), plus varied stroke endings that keep the texture organic rather than mechanically uniform.
This font works best for short, prominent text such as invitations, greeting cards, event materials, boutique branding, product packaging, and display headlines. It can also serve as an accent face paired with a simple sans or serif for supporting copy, where its swashes and contrast provide a clear hierarchy.
The overall tone is graceful and decorative, balancing refinement with a playful, bouncy charm. Its looping forms and high-contrast strokes evoke a romantic, slightly vintage mood suited to expressive, personal messaging rather than utilitarian text.
The design appears intended to mimic confident pointed-pen lettering: tall proportions, delicate hairlines, and decorative swashes that add personality and flourish. It prioritizes expressive form and elegant movement over compact readability in extended passages, making it a display-oriented script for stylish, celebratory contexts.
Capitals are especially ornate and attention-grabbing, with dramatic curves that can dominate a line if used heavily. Numerals follow the same calligraphic contrast and curling terminals, so they read as stylistic elements rather than strictly functional figures. Spacing and joins appear optimized for display-sized setting, where the hairlines and internal counters have room to breathe.