Sans Normal Dyket 7 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Sweet Sans' by Sweet (names referenced only for comparison).
Keywords: ui typography, brand systems, headlines, posters, signage, modern, clean, friendly, dynamic, technical, legibility, modernity, emphasis, clarity, oblique, geometric, open apertures, rounded terminals, airy spacing.
A slanted sans with a gently geometric construction and smooth, continuous curves. Strokes stay even throughout, with rounded joins and terminals that keep the texture soft despite the brisk forward angle. Proportions run on the broad side, giving letters generous internal space and clear counters; round forms (O, C, Q) read as near-elliptical and consistent across cases. Lowercase shapes are straightforward and readable, with a single-storey “a” and “g”, a compact, simple “r”, and an open, uncluttered “e”. Numerals follow the same oblique, rounded logic, with particularly flowing curves in 2, 3, and 9.
This font suits UI and product typography where a contemporary italic can add motion without sacrificing clarity. Its broad proportions and open counters also work well for headlines, signage, and branded communications that need a clean, modern tone. In longer passages it can function as an emphasis style or for short-to-medium text blocks where a lively slant is desirable.
The overall tone is contemporary and approachable, pairing a clean, engineered structure with an energetic italic motion. It feels efficient and modern rather than expressive or calligraphic, making the slant read as momentum and emphasis. The wide stance and open shapes add a friendly, accessible character.
The design appears intended as a modern, geometric-leaning italic sans that stays neutral and highly legible while providing built-in emphasis through its forward angle. The wide proportions and simple, open lowercase forms suggest a focus on clarity across both display and functional settings.
The sample text shows a smooth, even rhythm in running lines, with consistent spacing and a stable baseline despite the oblique angle. Diagonal-heavy letters (V, W, X, Y) look crisp and symmetrical, while curved letters keep a uniform roundness that supports a coherent, geometric voice.