Sans Normal Ohber 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Elisar DT Infant' by DTP Types, 'Calima' by JCFonts, 'JAF Domus Titling' by Just Another Foundry, 'Trajana Sans' by Tipo Pèpel, and 'Klein' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, playful, approachable, approachability, high impact, modern branding, friendly display, rounded, soft, geometric, clean, chunky.
This typeface is a heavy, rounded sans with broad, circular counters and smooth, continuous curves. Strokes are consistently thick with minimal modulation, and terminals are largely blunt, producing a compact, sturdy silhouette. The geometry leans toward circles and simple arcs, with open apertures and generous inner space that help maintain clarity at display sizes. Uppercase forms feel wide and stable, while lowercase letters keep a straightforward, single-storey structure where applicable and a slightly bouncy rhythm across words.
It works best in display contexts such as headlines, brand marks, packaging, and punchy poster typography where a bold, friendly voice is needed. The large counters and simple construction also make it suitable for short UI labels or signage, especially when a warm, modern feel is preferred over a neutral utilitarian look.
The overall tone is upbeat and approachable, with a friendly softness that reads as contemporary and informal. Its weight and rounded construction add confidence and warmth, making it feel inviting rather than technical or austere.
The design appears intended to deliver a contemporary, approachable sans that pairs geometric simplicity with softened contours for a strong yet welcoming presence. It prioritizes impact and readability through large counters, consistent stroke weight, and a clean, rounded shape language.
Numerals and capitals appear designed for strong presence, with clear differentiation and large counters that resist filling in. The italic-like energy is absent; instead the emphasis is on steady, upright shapes and a smooth, cohesive texture in short lines of text.