Sans Superellipse Umky 13 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, signage, futuristic, tech, industrial, gaming, sci‑fi, sci‑fi feel, systematic geometry, high impact, branding focus, interface style, rounded corners, squared curves, extended, modular, geometric.
A heavy, extended sans with monoline strokes and a rounded-rectangle (superelliptic) construction throughout. Curves resolve into squared arcs and softened corners, producing boxy counters in letters like O, D, and Q, and straight, horizontal terminals on forms like C and S. The uppercase is broad and stable with compact apertures, while the lowercase follows the same geometric logic with single-storey a and g and a squared, open e. Overall spacing and rhythm feel engineered and consistent, favoring strong silhouettes over delicate detail.
Best suited to display settings where impact and a tech-forward voice are desired: headlines, branding/logotypes, product packaging, and short-form signage. The dense, squared counters and extended proportions can feel tight in long passages, but it performs strongly for interface-style titles, gaming/entertainment graphics, and bold typographic layouts.
The font projects a futuristic, utilitarian tone—clean, machine-like, and assertive. Its wide stance and squared rounding evoke sci‑fi interfaces, industrial labeling, and arcade-era display typography, reading as confident and technical rather than friendly or calligraphic.
The design appears intended to deliver a futuristic geometric sans built from rounded rectangles, prioritizing strong, consistent silhouettes and a streamlined rhythm. It aims for high visual presence and a cohesive, system-like character that reads as modern, technical, and display-oriented.
Several glyphs lean into distinctive, modular constructions—most notably the angular diagonals on Z and 7, the boxed bowls on B and 8, and the compact joins in m/n—reinforcing an engineered, systemized aesthetic. The dot on i/j is circular, contrasting with the otherwise squared geometry and adding a crisp point of emphasis in text.