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Inverted Kafe 3 is a very bold, very narrow, high contrast, upright, tall x-height font.

Keywords: posters, headlines, album art, zines, packaging, grunge, punk, noir, handmade, cutout, impact, edginess, analog texture, poster utility, collage look, distressed, condensed, stenciled, collage, irregular.


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This face uses tall, condensed letterforms set inside solid rectangular tiles, with the counters knocked out so the letters read as light shapes within dark blocks. Edges are intentionally irregular and distressed, creating a stamped/printed texture with slight waviness and nicks along stems, shoulders, and corners. Stroke modeling is simplified and compact, with tight internal spacing and abrupt terminals that favor strong vertical rhythm over smooth curves. Overall spacing feels slightly uneven from glyph to glyph, reinforcing the handmade, cut-and-paste construction.

Best suited to short, high-impact display typography such as posters, flyers, album/track artwork, event branding, and bold packaging callouts. It can work for title treatments on dark or photographic backgrounds where the built-in tile provides contrast and containment. For longer text, it is more effective in brief bursts (labels, section headers, pull quotes) where the dense rhythm stays legible.

The font projects a gritty, zine-like attitude with a poster-ready punch. Its inverted, tiled look evokes label makers, rubber stamps, or ransom-note collage, lending an edgy, underground and slightly ominous tone. The distressed detailing adds a worn, analog personality that feels raw rather than polished.

The design appears intended to deliver maximum visual impact through inverted counters and a consistent rectangular framing device, while introducing a deliberately rough, printed texture to avoid a sterile geometric feel. The condensed proportions and strong vertical cadence suggest a focus on headline utility and attention-grabbing signage aesthetics.

The black tile backdrop becomes a dominant part of the silhouette, so lines of text form a continuous band of dark mass with flickering internal white shapes. Numerals and capitals maintain the same boxed system, keeping a consistent modular presence in display settings. The texture is most noticeable at larger sizes, where the roughness reads as intentional print wear rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸