Print Onmes 10 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, social media, headlines, branding, playful, casual, energetic, friendly, retro, handmade feel, display impact, casual clarity, dynamic motion, friendly tone, brushy, slanted, rounded, chunky, bouncy.
A slanted, brush-pen style print with thick, rounded strokes and modest contrast, giving letters a soft, inked edge rather than sharp terminals. Forms are compact and slightly condensed, with a lively baseline bounce and frequent entry/exit flicks that mimic quick marker writing. Counters tend to be small and teardrop-like, and many joins are implied through overlapping strokes rather than true connections, keeping the overall texture bold and punchy. The set maintains consistent stroke weight and angle across caps, lowercase, and numerals, producing a cohesive handwritten rhythm.
This style works well for short, high-impact text such as posters, packaging callouts, social media graphics, and brand marks that want a personable, hand-done feel. It’s especially effective in headlines, labels, and display settings where the bold brush texture can carry the design without needing fine detail at small sizes.
The font reads as upbeat and informal, like confident note-taking or a casual sign painted with a brush marker. Its forward slant and heavy strokes add urgency and motion, while rounded shapes keep the tone approachable and friendly.
The design appears intended to emulate fast, confident brush lettering in an unconnected print style, prioritizing immediacy, warmth, and visual punch over formality. Its consistent slant and marker-like stroke behavior suggest a goal of delivering a recognizable handwritten voice that remains legible in display use.
Uppercase letters are expressive and slightly individualized, while the lowercase is compact with simplified bowls and short ascenders/descenders, helping maintain a dense, graphic color. Numerals follow the same brush logic with prominent curves and soft terminals, making them feel integrated with text rather than mechanically drawn.