Sans Other Otbi 10 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, game ui, logos, packaging, futuristic, tech, industrial, arcade, mechanical, display impact, tech aesthetic, modular system, sci-fi ui, industrial labeling, square, angular, stencil-like, modular, geometric.
A blocky, modular sans with squared proportions and an all-caps/lowerscase design built from straight segments and crisp 45° cuts. Strokes are uniform and heavy, with rectangular counters and frequent horizontal breaks that create a stencil-like, slotted interior structure (especially noticeable in E, S, and similar forms). Curves are largely avoided in favor of chamfered corners and flattened terminals, producing a rigid, engineered rhythm. Numerals follow the same system, with boxed shapes and minimal curvature for a cohesive, grid-driven texture.
Best suited to short, high-impact settings such as headlines, titles, posters, esports/game UI, and branding marks where a futuristic or industrial voice is desired. It can also work for packaging or labeling concepts that benefit from a technical, stencil-like texture, but is less appropriate for long-form reading where its dense, angular construction may fatigue the eye.
The overall tone is assertive and synthetic, evoking sci-fi interfaces, industrial labeling, and retro arcade aesthetics. The repeated internal slits and sharp chamfers add a technical, weaponized feel that reads as modern, machine-made, and slightly aggressive.
The design appears intended to deliver a bold, tech-forward display sans with a consistent modular construction and distinctive internal cutouts, balancing solid mass with controlled negative space. Its systemized geometry suggests an aim for immediate recognizability and a strong “interface” or “machinery” association.
In text, the dense weight and squared counters create a strong, high-contrast silhouette at display sizes, while the interior gaps help prevent large black blobs in letters with broad bowls. The lowercase echoes the uppercase construction closely, emphasizing a uniform, modular voice over traditional handwritten cues.