Sans Superellipse Radoh 3 is a regular weight, very narrow, low contrast, upright, very short x-height font.
Keywords: headlines, posters, logotypes, branding, packaging, art deco, condensed, minimal, elegant, retro, deco revival, space saving, geometric clarity, display impact, signage feel, monoline, geometric, tall, airy, clean.
A tall, monoline sans with strongly condensed proportions and generous vertical emphasis. Curves are drawn with rounded-rectangle logic, producing smooth, superelliptical bowls and softly squared corners, while straight strokes stay crisp and uniform. Capitals are especially elongated with narrow internal counters, and several glyphs use simplified, geometric construction (notably in round letters and figures), giving the set a consistent, engineered rhythm. Spacing reads open for such a condensed design, helping the thin, elongated forms stay legible at display sizes.
This font is best suited to display typography where its elongated proportions can be a feature rather than a constraint—headlines, poster titles, logotypes, and brand marks. It also works well for packaging and labels that benefit from a refined, retro-modern condensed look, especially when set with ample tracking and at larger sizes.
The overall tone feels Art Deco–leaning and architectural: sleek, stylish, and slightly theatrical without becoming ornamental. Its tall silhouettes and clean geometry evoke vintage signage and modern editorial fashion at the same time, projecting refinement and restraint.
The design appears intended to deliver a distinctive condensed voice built from geometric, superelliptical shapes—capturing a period-inspired elegance while staying minimal and contemporary. Its construction prioritizes silhouette, vertical rhythm, and a clean monoline finish for impactful display use.
The sample text shows pronounced contrast in presence between capitals and lowercase due to the small lowercase body and very tall ascenders/descenders, which creates a distinctive, high-rise texture in mixed-case settings. Numerals follow the same narrow, rounded-rectangle logic, reading more like signage figures than text numerals.