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Free for Commercial Use

Sans Superellipse Rabiz 12 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'FF Clan' by FontFont, 'Allotrope' by Kostic, 'Akwe Pro' by ROHH, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'LFT Etica' by TypeTogether, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: ui labels, dashboards, signage, packaging, posters, modern, utilitarian, clean, technical, neutral, space saving, clarity, neutral branding, systematic geometry, condensed, rounded corners, flat terminals, open apertures, even rhythm.


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This typeface is a condensed sans with tall lowercase proportions and a steady, even stroke. Curves are built from rounded-rectangle geometry: bowls and counters read as softly squared superellipses rather than perfect circles, and corners ease into straights with gentle radiusing. Terminals are predominantly flat and blunt, with minimal modulation and a consistent vertical emphasis that gives lines of text a tidy, columnar rhythm. Numerals follow the same condensed, upright construction, staying clear and compact in running text.

Well-suited for interface labels, navigation, and data-heavy layouts where compact width and consistent rhythm help conserve space. It can also work for signage and packaging that needs a modern, no-nonsense voice, and for posters or headlines when a condensed, orderly presence is desired.

The overall tone is contemporary and pragmatic, leaning more toward clarity than personality. Its squared-round construction gives it a subtle technical flavor, while the restrained detailing keeps it neutral and system-like for everyday communication.

The design appears aimed at delivering a compact, highly legible sans with a distinctive squared-round skeleton. By combining narrow proportions, tall lowercase shapes, and low-detail terminals, it prioritizes efficient text setting while keeping a subtle, contemporary geometric signature.

Spacing appears calibrated for tight settings: letters pack efficiently without feeling cramped, and the rounded-square bowls help maintain recognizable shapes at smaller sizes. The mix of straight-sided forms (like E, F, H) and softened curves (like O, C, G) creates a consistent, engineered texture across both caps and lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸