Sans Faceted Idnaw 5 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, ui labels, packaging, futuristic, techno, geometric, sci-fi, architectural, futurism, tech aesthetic, geometric system, display impact, schematic look, angular, faceted, octagonal, wireframe, sharp.
A crisp, linear sans built from straight strokes and clipped corners, replacing curves with faceted, polygonal turns. Stems are extremely thin and consistent, giving the outlines a wireframe feel, while counters often resolve into hexagon- or octagon-like shapes. The forms keep a tall, tidy rhythm with small apertures and frequent angled terminals, and the overall texture stays airy with lots of white space. Numerals and capitals follow the same planar construction, producing a coherent set of sharp, engineered silhouettes.
Best suited for display settings such as headlines, posters, brand marks, and product or packaging graphics where its angular construction can be appreciated. It can also work for short UI labels or interface mockups in a sci‑fi/tech aesthetic, provided sizes are large enough to preserve the thin strokes and sharp corners.
The font reads as futuristic and schematic, with a cool, technical tone reminiscent of industrial labeling, digital interfaces, and sci‑fi titling. Its faceted geometry feels precise and constructed rather than handwritten, lending an experimental, high-tech mood.
The design appears intended to translate a modern sans structure into a polygonal, faceted system—evoking technical drafting and digital geometry while maintaining readable, upright proportions. It prioritizes a distinctive, futuristic texture over traditional curves, aiming for a clean but experimental display presence.
Because the strokes are extremely fine and many joins happen at acute angles, small sizes can look delicate and slightly fragmented; it holds together best when given room and contrast. The faceting creates distinctive letter identities, especially in rounded characters, but also yields a more stylized, display-oriented voice than a neutral text face.