Sans Other Kekup 5 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Conamore' by Grida, 'Niko' by Ludwig Type, 'Adagio Sans' by Machalski, 'Amrys' by Monotype, and 'RyuGothic' by StudioJASO (names referenced only for comparison).
Keywords: posters, packaging, headlines, branding, children’s, friendly, quirky, playful, casual, retro, approachability, distinctiveness, warmth, informality, display impact, soft corners, humanist, lively rhythm, rounded forms, informal.
A lively sans with soft, subtly rounded corners and gently irregular stroke behavior that gives the letters a hand-shaped feel. Proportions are open and readable, with a normal x-height and slightly varied letter widths that create a buoyant rhythm in words. Curves are full and smooth (notably in C, G, O, and S), while diagonals and joins keep a slightly asymmetric, humanist construction. Terminals tend to be blunt and softened rather than sharply cut, and counters stay generous, helping the face hold up well at larger text and display sizes.
Well suited to headlines, posters, packaging, and branding where a friendly, characterful sans can carry tone. It works especially well for playful editorial callouts, event materials, and family- or kids-oriented communications, and can add personality to short blocks of text when set with comfortable spacing.
The overall tone is warm and approachable, with a playful, slightly eccentric character that feels conversational rather than corporate. Its gentle irregularities add charm and personality, suggesting a friendly, upbeat voice with a touch of retro informality.
The design appears intended to deliver an approachable sans voice with human warmth—balancing clean, sans-like simplicity with subtle quirks to avoid a sterile, purely geometric feel. It prioritizes personality and readability for display-led typography where charm and distinctiveness matter.
In running text, the font shows a bouncy baseline impression driven by varied sidebearings and subtly uneven shapes, which adds energy but can also make long passages feel more informal. Numerals share the same softened, rounded treatment and appear designed to blend smoothly with the letterforms.