Print Nynot 2 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, social media, quotes, branding, casual, energetic, handmade, friendly, expressive, handmade feel, quick lettering, lively display, casual voice, brushy, textured, slanted, condensed, dry-brush.
An informal, brush-written script with a consistent rightward slant and a compact, slightly condensed stance. Strokes show medium contrast with a dry-brush texture: edges are ragged, terminals often taper, and occasional stroke breaks add a natural, ink-on-paper feel. Letterforms are mostly unconnected with lively, variable stroke rhythm; curves are soft and rounded while joins and diagonals keep a quick, angular snap. The overall color is dark and assertive, with tight interior counters and a relatively low lowercase profile that keeps words compact.
Well-suited for short to mid-length text where a human, brushy voice is desirable—posters, packaging accents, café or lifestyle branding, social graphics, pull quotes, and headings. It can also work for informal invitations or product labels, especially when the textured stroke adds a handcrafted cue at larger sizes.
The tone is spontaneous and conversational—more like quick marker or brush lettering than formal calligraphy. Its textured strokes and forward motion read as energetic and approachable, lending an authentic, handmade character without feeling overly precious.
The design appears intended to capture fast, natural brush handwriting in a cleanly repeatable font, balancing legibility with visible texture and motion. Its compact proportions and emphatic slant suggest a focus on energetic display use and expressive titling rather than formal correspondence.
Caps are simplified and punchy, functioning more like emphatic handwritten initials than typographic display capitals. Numerals follow the same brisk, hand-drawn logic, with open, slightly irregular shapes that prioritize momentum over strict uniformity. Texture and slant are strong defining traits, so spacing and rhythm in longer lines will feel intentionally lively rather than mechanically even.