Sans Superellipse Dyga 1 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: ui design, branding, headlines, signage, dashboards, futuristic, technical, sleek, clean, friendly, modernization, tech aesthetic, clarity, geometric systematization, rounded corners, geometric, modular, monoline, open counters.
A monoline geometric sans built from rounded-rectangle and superellipse-like forms, with square-leaning curves and consistently softened corners. Strokes keep an even thickness and terminate in blunt, squared ends, producing a crisp, engineered outline rather than a calligraphic feel. Proportions are generously wide with ample internal space; bowls and counters tend toward rectangular rounds (notably in O, Q, 0, and 8), while diagonals in A, V, W, X, Y, and Z stay sharp and planar. Lowercase forms are simplified and contemporary, with single-storey a and g, compact apertures, and a tall, straight-sided rhythm that reads cleanly in lines of text.
Well suited to UI and product contexts where clarity and a contemporary, engineered look are desired, such as dashboards, app interfaces, and device labeling. Its broad proportions and clean geometry also make it effective for headlines, logotypes, and wayfinding where a modern, technical voice helps differentiate the message.
The overall tone feels modern and technology-forward, combining a precise, modular structure with approachable rounded corners. It suggests interfaces, devices, and contemporary product design—cool and efficient, but not sterile.
The design appears intended to translate a rounded-rectangle, industrial geometry into a readable text face—balancing a futuristic, device-like silhouette with consistent spacing and straightforward letterforms for practical display use.
Digit design follows the same rounded-rect geometry, with an angular, linear 4, a squared 0, and a compact 1, creating a cohesive alphanumeric texture. The Q uses a minimal tail, and several glyphs favor squared bowls over fully circular curves, reinforcing the font’s systematic, grid-like character.