Sans Superellipse Egba 2 is a regular weight, very narrow, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, sports graphics, packaging, sleek, modernist, technical, condensed, aerodynamic, space saving, forward motion, modern utility, systematic curves, upright terminals, clean joins, open counters, tight spacing, oblique stress.
This typeface is a sharply condensed italic sans with clean, uniform strokes and minimal contrast. Curves are built from rounded-rectangle geometry, giving bowls and rounds a taut, superelliptical feel rather than purely circular forms. The italic angle is consistent across capitals, lowercase, and figures, producing a fast rightward rhythm. Uppercase forms are tall and narrow with compact apertures, while the lowercase keeps a straightforward, utilitarian construction and a normal-looking x-height relative to its ascenders and descenders. Numerals follow the same condensed, oblique logic, with smooth curves and restrained detailing.
It is well suited to headlines, poster typography, and branding where a compact, dynamic italic can convey speed and modernity. The condensed build also makes it useful for space-conscious applications like packaging callouts, cover lines, and graphic systems that need strong vertical presence.
The overall tone is streamlined and contemporary, with a slightly technical, engineered flavor. Its forward slant and compressed proportions add urgency and motion, making the voice feel efficient, direct, and modern.
The design appears intended to deliver an italic sans with maximum economy of width while maintaining clarity through clean joins and open-enough counters. The rounded-rectangle curve language suggests a deliberate, system-like approach aimed at a contemporary, performance-oriented look.
Round letters like O/C/G read as squarish-rounded rather than fully oval, reinforcing a controlled, modular personality. The tight proportions and narrow internal space suggest best results when given ample tracking and generous line spacing, especially in multi-line settings.