Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Inverted Abba 12 is a very bold, normal width, high contrast, upright, tall x-height font.

Keywords: logos, posters, headlines, gaming, ui labels, techno, sci-fi, arcade, industrial, futuristic, impact, futurism, stenciling, display, stencil-like, rounded corners, inline cuts, boxy, geometric.


Free for commercial use
Customize the font name

A geometric, all-caps–friendly display face built from heavy, boxy silhouettes with rounded corners and frequent internal cut-outs that create an inverted/knockout look. Curves (C, G, O, Q, 6, 8, 9) are squarish and softened, while straight strokes terminate in blunt, squared ends. Many letters incorporate small rectangular “windows” or notches (notably E, F, G, S, a, e, s, 2, 5), producing a crisp, high-contrast interplay between filled exterior mass and carved interior channels. Lowercase follows the same constructed logic with single-storey forms and simplified joins, giving the text a modular rhythm and slightly mechanical spacing texture.

Best suited to display settings where the bold mass and carved-in details can be appreciated: logos, poster headlines, game titles, packaging callouts, and short UI labels for futuristic or industrial themes. It can also work for numbers-forward applications (scoreboards, tech specs, product codes) when set at comfortable sizes to preserve the internal cut-out detail.

The overall tone reads as retro-futurist and utilitarian, with a console/arcade feel driven by the chunky geometry and inset cut lines. The inverted counters and stencil-like breaks add a technical, engineered character that feels at home in sci‑fi interfaces and industrial labeling.

The design appears intended to deliver maximum impact through heavy geometric forms while adding differentiation and a futuristic identity via consistent internal knockouts. The constructed shapes suggest a deliberate blend of stencil logic and digital-era styling for attention-grabbing, tech-oriented typography.

The cut-outs are consistently rectangular and aligned to the grid, which reinforces a fabricated, machined impression. Numerals are similarly constructed, with especially distinctive 0 and 8 forms that emphasize enclosed shapes and internal openings, helping the set feel cohesive in signage-like applications.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸