Sans Superellipse Pogab 2 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Lost and Foundry' by Fontsmith, 'Poster Sans' by K-Type, 'Hype Vol 1' by Positype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, modern, assertive, utilitarian, space saving, display impact, modern utility, geometric clarity, brand presence, rectilinear, rounded corners, compact, high contrast (shape), sturdy.
A compact, tightly condensed sans with a tall, vertical stance and uniform stroke weight. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than true circles. Terminals are clean and blunt, joins are crisp, and the overall rhythm is narrow and columnar with small interior apertures that keep the texture dense. Numerals and lowercase follow the same condensed, boxy-round construction for a consistent, engineered look.
Best suited to headlines, posters, labels, packaging, and signage where space is limited and a strong, compact voice is desirable. It can also work for logos and wordmarks that benefit from a tall, tightly set silhouette, and for UI accents or section headers where a condensed, assertive style helps establish hierarchy.
The overall tone is functional and forceful, with a contemporary industrial flavor. Its compressed proportions and squared-round forms suggest efficiency and control, reading as direct and no-nonsense in display settings.
The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a clean, contemporary sans structure. Its superelliptical rounding suggests a deliberate blend of strict geometry and approachability, creating a condensed display face with an engineered, modern character.
The condensed width makes word shapes highly vertical, and the rounded-rectangle counters create a distinctive “softened machinery” look—hard edges without feeling sharp. The dense color can feel intense at smaller sizes or in long lines, but it holds together well where a compact, attention-grabbing voice is needed.